Our annual conference, Writing True 14, was held in Toronto in early May. We had 112 attendees, three sold-out Master Classes with waiting lists for each, and 18 presenters, speakers, and workshop leaders who all arrived on time, in the right place, in spite of some wild Toronto weather!

We had many positive comments from those who completed our conference evaluation form. Standouts, in no particular order, were Dinty Moore, the conversation between Lee Maracle and Tanya Talaga, our First Page event (which one attendee described as a “master class in getting your first page read by an agent”), Kamal Al-Solaylee’s thought-provoking keynote address, Mandy Len Catron’s session on the essay, Betsy Warland’s master class on form, the conversation between Pauline LeBel and Waubgisheg Rice, and Lorri Neilsen-Glenn’s master class on “navigating rivers of connection.” A few also commented on our “helpful, gracious” volunteers. That would be the wonderful, hard-working Toronto conference committee!

We recorded two sessions this year – Kamal’s keynote address, and the conversation with Lee Maracle and Tanya Talaga. We’ll be posting these on our website soon, with access available to all CNFC members.

In Conversation: Lee Maracle and Tanya Talaga at the 2018 CNFC Conference. Photo credit: Kirsten Fogg
In Conversation: Lee Maracle and Tanya Talaga at the 2018 CNFC Conference.
Photo credit: Kirsten Fogg

For me, there were some striking moments. Lee Maracle, in her conversation with Tanya Talaga, saying that if English is not your first language but you’re forced to use it, it’s as if you are cut in half – your head and body can’t communicate, you can’t feel what you’re saying. In that moment, I felt, as much as I understood, what that meant. Carol Off, telling us how the experience she describes in her book, All We Leave Behind, has changed her forever as a journalist and a human being. Tanya Talaga, describing how Stan Beardy, the Grand Chief of the Nishnabe Aski Nation, refused to answer her questions about Indigenous voting, but said, again and again, “why aren’t you writing about Jordan Wabasse? He’s been gone for 70 days.”

I’m sure many of you have your own moments that you will carry forward with you. Let us know, and we’ll share them in a future newsletter.

Thank-you to everyone who attended, to the many people who travelled to Toronto, to the new members who joined. We appreciate the support of every one of you.


Our new Board of Directors was elected:
President:   Judy McFarlane
Vice-President:   Pamela Couture
Treasurer:   Jane Silcott
Membership:   Kathy Seifert
Recording Secretary:   Cathy Cooper
Directors at Large:   Shelley O’Callaghan, Chris Moore, and Lissa Cowan

We approved the Treasurer’s Report.

We will continue to move ahead with applying to become a National Arts Service Organization, which, if successful, will give us charitable tax status, with the ability to issue tax receipts for donations.

We discussed whether our membership fee of $50 per year should be increased. After some discussion, we voted to keep the annual fee the same, but to create a new designation of member called Sustaining Member. While details will appear soon, the idea is that anyone can become a Sustaining Member by voluntarily paying more than the annual membership fee, in effect making a donation to CNFC. The Board will need to decide how those funds will be used, but the intent at the AGM was to find a way to support members who otherwise might not be able to attend our AGM.

We talked about possibly connecting with other writing conferences, such as the Festival of Literary Diversity, or the Canadian Writer’s Summit, to mention a couple of examples, and decided that the Board would look into these possibilities. We discussed, but made no decision, about where to hold our conference next year. Much for the new Board to decide!

And the popular standing desk, generously donated again this year by Fitneff, was won by Pauline Le Bel.


If you have concerns, questions, suggestions, please let me or one of our Board members know. You can always contact us through this email address:, or you can contact me directly at

Thanks very much. Here’s to a great year for CNFC!

Judy McFarlane,

The 2018 CNFC Conference

Where?  Here…

Emmanuel College of Victoria University
in the University of Toronto

75 Queen’s Park Crescent
Toronto, ON
M5S 1K7 

Google Map Coordinates

View the digital version of our 2018 Conference Program

The nearest subway stop is Museum. From Union Station, take Line 1 (University) and get off at Museum. The TTC exit is right outside Emmanuel College. The nearest accessible station on both Line 1 and 2 is St George. 

What’s happening when? Check out our Conference Program. 

 Still need accommodation? We have a few suggestions!  

Note: Registration for the conference is now closed but individual tickets are available for a few events at the door. 

Coming from Out of Town?  

Conference Committee Member Cathy Cooper has put together a short but informative guide of nearby places to eat, things to see and do, and transportation details. Download our CNFC Conference Quick Reference Guide.

And if your driving to the conference, here’s a Emmanuel College Parking.

See you soon!


Canada Council for the Arts logoAccess Copyright Foundation logoOntario Media Development Corporation logo
fitneff logo



The winner will be announced on May 5 in Toronto, ON at the 14th annual CNFC conference.

The shortlist was selected by contest judge, Betsy Warland.


“Lucky Number Seven,” by Emily Kellogg.

Emily Kellogg’s writing has appeared in publications such as FLARE, The Huffington Post, and The Puritan. In 2017, her creative nonfiction work received an honourable mention in Room Magazine‘s CNF competition and was shortlisted for PRISM International‘s CNF prize. Photo of Emily Kellogg


“Descent into Darkness,” by Nancy O’Rourke.

Photo of Nancy O'RourkeExperienced sociologist Nancy O’Rourke’s creative nonfiction was recently recognized by Memoir Magazine. “Descent into Darkness” is adapted from a memoir-in-progress that examines processes of forgiveness, focusing on a group of children she befriended in Rwanda in 1992, lost during the genocide, and found 18 years later.




“What’s Coming for You,” by Julie Paul.

Photo of Julie PaulJulie Paul lives and writes in Victoria, BC. She was the winner of the 2016 Edna Staebler Personal Essay Award and has published two books of short fiction. The Rules of the Kingdom, her first book of poetry, is shortlisted for the Dorothy Livesay Poetry Prize.





Congratulations to our three finalists and thank you to everyone who participated!

Carte Blanche Logo