Webinars

CNFC MONTHLY WEBINARS

CNFC will launch our new season of webinars for members on Saturday October 2, 2021 (2:30 pm Atlantic, 1:30 pm Eastern, 10:30 am Pacific). This first event will feature CNFC member and board member Darryl Whetter on the subject “From Hermit Crabs to Talking Skeletons: Playing with Form in CNF.” See the details below.

We will host several webinars in the following months, including a popular Members’ Readings event in December. Look for the full schedule in the October newsletter, and at Darryl’s webinar. We gratefully acknowledge support from the University of King’s College Halifax. They will sponsor three CNFC webinars. You can view upcoming and past webinars below.

The webinar series is FREE for CNFC members. If your membership is expired or you wish to become part of our community, you can renew or join us by following the links on this page: https://creativenonfictioncollective.ca/join-the-cnfc/. The Creative Nonfiction Collective Society (CNFC) is a national organization for Canadian literary nonfiction writers that educates, supports, develops and promotes the CNF genre.


Upcoming Webinars

Saturday November 13 1:30pm Eastern: Cooper Lee Bombardier, Moira Dann, and Fiona Tinwei Lam: “Writing Partnerships: Find Your Perfect Match.”

Registration Now Open!

Join Cooper Lee Bombardier, Moira Dann, and Fiona Tinwei Lam for a fascinating discussion of how writers work together, from one-on-one writing partnerships to writing groups to formal mentoring. Whether you’re looking to consult, collaborate or critique, find the model that works best for you by understanding the accountability, boundaries, and trust involved in these types of partnerships.

COOPER LEE BOMBARDIER is an American writer and visual artist living in Canada. He is the author of the memoir-in-essays Pass With Care, a finalist for the 2021 Firecracker Award in Nonfiction. His writing appears in The Kenyon Review, The Malahat Review, Ninth Letter, CutBank, Nailed Magazine, Longreads, Narratively,BOMB, and The Rumpus; and in 19 anthologies, including the Lambda Literary Award-winning anthology, The RemedyEssays on Queer Health Issues, and the Lambda-nominated anthology, Meanwhile, Elsewhere: Speculative Fiction From Transgender Writers, which won a 2018 American Library Association Stonewall Book Award. He teaches in the MFA in Creative Nonfiction program at University of King’s College and in women and gender studies at Saint Mary’s University. 

MOIRA DANN’s most recent book is Craigdarroch Castle in 21 Treasures, published earlier this year by Touchwood Editions. Previously, she edited for Penguin Books Facts & Arguments: A Selection of Essays from The Globe and Mail (where Moira worked as a journalist and editor for years). A screenwriting graduate of the Canadian Film Centre, as well as a 2016 graduate of the MFA in Creative Nonfiction program at University of King’s College in Halifax, Moira is scheduled to start an MA in Public History at UVic in January 2022. She lives in Victoria, BC, where she is volunteer President of the Board at Craigdarroch Castle.

FIONA TINWEI LAM has authored three poetry collections and a children’s book, and collaborated on poetry videos that have screened at festivals internationally. She co-edited the nonfiction anthology, Double Lives: Writing and Motherhood with Cathy Stonehouse and Shannon Cowan, and co-edited the nonfiction and poetry anthology, Love Me True: Writers on the Ups, Downs, Ins & Outs of Marriage with Jane Silcott. Shortlisted for the City of Vancouver Book Award and thrice selected for BC’s Poetry in Transit, her nonfiction, fiction and poetry appear in over 40 anthologiesincluding Best Canadian Poetry (2010 and 2020 editions). Her latest work of nonfiction appears in the fall issue of Maisonneuve.

December, 2021: Members’ Reading Event

Our December webinar will be devoted to members reading from their new works published between May 2021 (our last reading event) and December 31, 2021. You will get about five minutes to read an excerpt, with an introduction and follow-up question from our yet-to-be-named moderator.

To apply, send an email to CNFC.  We will need a headshot, a cover image, and a one- or two-sentence biography.


Past Webinars

Saturday October 2, 2021. 2:30pm Atlantic, 1.30pm Eastern, 10:30am Pacific: Darryl Whetter, “From Hermit Crabs to Talking Skeletons: Playing with Form in CNF”

Recording now available for members only!

Where formal innovation in contemporary English-language fiction is rare, CNF offers a vibrant subset of formal innovations in which, for example, your creative prose can engage in a dialogue with found or curated text, from family letters to legislation to medical documentation to how-to writing and more. Novelist, poet, journalist and memoirist Professor Darryl Whetter will present a workshop which introduces numerous examples and opportunities for you to splice other texts into your own while discovering new modes of creativity and new opportunities for making nonfiction creative.

PROFESSOR DARRYL WHETTER is the author of four books of fiction and two poetry collections. His most recent books are the climate-crisis novel Our Sands, from Penguin Random House, and Teaching Creative Writing in Asia, with Routledge. A Canadian, he was the inaugural director of the first Creative Writing master’s degree in Singapore. His essays have been published by Oxford University Press, Routledge, Presses Sorbonne Nouvelle, The Brooklyn Rail, The Walrus, etc.

November 19, 2020, 7:30 pm EST: Finding the Story – Ian Brown

This workshop will guide you to finding the story worth telling, then digging deeper, finding the actual best story within that story, and hewing to it, despite being terrified of same.

IAN BROWN began life as a business reporter at the Financial Post and later at Maclean’s Magazine; quit to freelance and start a publishing company, Invisible Books, with four other writers, which also published Not the Globe and Mail, a parody; was then hired at the Globe and Mail as a feature writer, for five years; quit again to found and host Later the Same Day, a daily afternoon radio show on CBC Radio; moved to Los Angeles, where he wrote a book and began to contribute to the NPR radio show This American Life; returned as host of Sunday Morning and Talking Books on CBC Radio; and eventually made his way back to the Globe, where he has worked for just over a decade. Along the way Ian co-founded an online magazine, Open Letters, and was chair of the Literary Journalism program at the Banff Centre for seven summers. He has won a number of National Newspaper and National Magazine Awards; the National Business Book Award for my first book, Freewheeling, an expose of Canadian Tire and the Billes family; the Charles Taylor Prize, the BC National Award and the Trillium Prize for another book, The Boy in the Moon, which the New York Times deemed one of the ten best books of 2011; and was short-listed for the Taylor Prize and for the Hilary Weston Writer’s Trust Prize for his last book, Sixty: A Diary of My Sixty-First Year. He also wrote Man Overboard, a book about manhood in the late twentieth century, and the editor of What I Meant to Say, an anthology of essays by men and about men, but for women. Ian lives in Toronto.

December 5, 2020, 4:00 pm EST: CNFC Member Book Launch – Betsy Warland

Esteemed Vancouver writer and one of CNFC’s founders Betsy Warland hosted the Member Book Launch Zoom Event, featuring CNFC members Joan Boxall, Kate Braid, Beth Kaplan, and Janet Love Morrison reading a short excerpt from their newly-released books.

BETSY WARLAND is the author of fourteen books of poetry, creative nonfiction, and lyric prose including her best-selling 2010 book of personal essays, Breathing the Page— Reading the Act of Writing. In April of 2016, Oscar of Between—A Memoir of Identity and Ideas was launched by Caitlin Press’ new imprint, Dagger Editions. According to one review of Lost Lagoon/lost in thought, published in April 2020: “In trademark lyric prose, Warland’s roving observations in and around Vancouver’s Lost Lagoon offer insights into nature, narratives, and the urban environment.” Warland is a co-founder of CNFC, and also founded and is a mentor in the one-on-one six-month international Vancouver Manuscript Intensive program

January 23, 2021, 1:30 pm EST (10:30 am PST)

Writing About  Mental Health – Eufemia Fantetti and Lenore Rowntree

This craft-focused workshop will act as a model for writing about difficult topics, using mental health as an example. This webinar includes generative writing prompts, so come prepared to do some writing. The session will also be interactive with private breakout discussion groups. Participants can expect to receive a list of recommended readings at the end of the workshop. NOTE: The session will be recorded and available on the CNFC website for a limited period of time after the session.

EUFEMIA FANTETTI holds an MFA in Creative Writing from the University of Guelph. Her short fiction collection, A Recipe for Disaster & Other Unlikely Tales of Love, was runner up for the Danuta Gleed Literary Award and winner of the Bressani Prize. Her writing has been nominated for the Creative Nonfiction Collective Readers’ Choice Award and was listed as a notable essay in the Best American Essay Series. My Father, Fortune-tellers & Me: A Memoir was released by Mother Tongue Publishing in 2019. She teaches at Humber College and co-edits The Humber Literary Review.

LENORE ROWNTREE holds an MFA in Creative Writing from the University of British Columbia. Her novel Cluck (Thistledown Press) was a finalist for the Great BC Novel Prize. She was a co-editor and contributor to the anthology Hidden Lives: true stories from people who live with mental illness (Brindle & Glass), and her essay in the collection was shortlisted for a CBC Literary Award. Her poetry has been included in The Best of the Best of Canadian Poetry (Tightrope Books) and in the Poet to Poet anthology (Guernica Editions).

February 20, 2021, 1:30 pm EST (10:30 am PST)

Body & Soul: Writing About Spirituality – Susan Scott

Are there ways to write authentically and convincingly about a topic that makes some readers flinch? Spiritual memoirs can be off-putting; but if done well, they can unify the personal and cultural, the ineffable and embodied. Spiritual memoirs can help writers frame complex topics, from intergenerational trauma and explosive family secrets to experiments in shunning, skirting or switching faiths. Using lively discussion and writing prompts, we will examine how to craft an honest spiritual memoir that challenges convenient stereotypes and the confines of convention.

SUSAN SCOTT focuses on powerful, transgressive stories that inspire healing change. Her work on spirituality includes the edited collections, Body and Soul (Caitlin Press, 2019), a breakout volume on unorthodox approaches to the sacred, and Stories in my Neighbour’s Faith: Narratives from World Religions in Canada, featuring personal essays from community leaders countrywide. Temple in a TeapotIn Which the Pilgrim Carts the Remains of her Good China to the First Mormon Temple, in Ohio, was launched on a 1,000-mile women writers’ tour throughout the Western U.S. Susan is a long-time editor with The New Quarterly, and director of the Wild Writers Mentorship Program.

March 20, 2021, 1:30 pm EST (10:30 am PST)

The Art of the Interview: Great interviews make great stories – Denise Ryan

Award winning essayist, feature writer and news reporter Denise Ryan will share her experiences, trade secrets and tips. Formatted as a dynamic interview and networking session where you ask the questions, this is an opportunity to ask what you’ve always wanted to know about how to get the interview, get informed consent, establish rapport, overcome hostility, work with a trauma-informed ethic, get past scripted answers and craft story-based lines of inquiry.

DENISE RYAN is a journalist and author whose work has received many distinctions including awards from Amnesty International, the CBC literary Prizes, the Webster Awards for feature writing and breaking news, and Sovereign Awards. Known for her sensitive, in-depth interviews, narrative long-form features and dynamic storytelling, she brings a wealth of experience developed through two decades of reporting, feature writing, teaching and mentoring other writers.